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这几年关于艺术评论的是是非非逐渐多了起来。最近漫画家、国画家、艺评专栏作家刘一行就撰文指出,中国美术在近现代的演化过程中有两种现象值得注意:一是艺术立场的转换,二是艺术功能的制衡。艺术立场指的是艺术行为可立足个体发出,也可以从集体的立场发出;艺术功能指的是艺术可以满足精神的需求,也可用以追求物质性目标。他认为由于资本操纵艺术市场,所以扰乱艺评体系,这当然涉及艺术评论的客观与公正。
In recent years, there has been more and more non-trivial criticism of art criticism. Recently, the artist, painter and art critic columnist Liu Yihuan pointed out in the author’s article that two phenomena should be noticed in the evolution of modern Chinese art: the conversion of artistic position and the check and balance of artistic functions. Artistic position means that artistic behavior can be issued on an individual basis or from a collective position. Artistic function refers to the art that can meet the needs of the spirit and can also be used to pursue material goals. He believes that because capital manipulates the art market, disrupting the art evaluation system, of course, involves the objectivity and fairness of art criticism.