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时间:2010年5月5日13:00-17:30;地点:国家会议中心会议室301A+B;主持:朱朱批评家:吕澎、何桂彦、杨卫、卢缓、鲍栋、盛葳、刘礼宾、王志亮、段君、卢迎华、董冰峰、赵子龙、鲁明军、王小箭、赵松何桂彦:此前在座的批评家大多写过关于当代艺术史写作的文章,大家已都看过。我今天的发言主要谈以下几个问题:第一是在过去30年中国的整个当代文化的格局中,当代艺术究竟处在什么样的位置,重要还是不重要,是不是可有可无的?另一个问题是,如果要进行当代艺术史的书写,其评价的标准与价值尺度是什么?我们如何才能对2000年以来的艺术创作给出一个较为客观的评价。至少,在我看来,要讨论2000—2010年的艺术,一方面需要将其与过去的传统联系起来,在一个艺术史的上下文关系中去考察它与此前的创作脉络保持着怎样的关系,然后才能做出价值判断;另一
Time: May 5, 2010 13: 00-17: 30; Venue: Meeting Room 301A + B of the National Convention Center; Moderator: Zhu Zhu Critics: Lu Peng, He Guiyan, Yang Wei, Lu slow, Bao Dong, Liu Libin, Wang Zhiliang, Duan Jun, Lu Yinghua, Dong Bingfeng, Zhao Zilong, Lu Mingjun, Wang Xiaojian and Zhao Song, He Guiyan: Most of the critics present here have written articles about the writing of contemporary art history. My speech today mainly talks about the following questions: First, in the overall pattern of contemporary Chinese culture in the past 30 years, what is the position of contemporary art, is it important or not important and is it dispensable? Another question is: If we want to carry out the writing of contemporary art history, what is the standard of its evaluation and the standard of value? How can we give a more objective assessment of the artistic creation since 2000? At least, it seems to me that to discuss the art of 2000-2010, on the one hand, it needs to be linked with the tradition of the past, to examine in a contextual relationship of art history what kind of relationship it maintains with the previous context of creation, Then you can make a value judgment; the other