自清初以来,南京便一直是山水画的重镇,大家辈出,群星璀璨,尤其是在近现代绘画史上,更是占据着重要的位置。到了上个世纪后期,伴随着傅抱石、钱松喦、宋文治等老一辈艺术家相继谢世,有着雄厚整体实力和强烈进取精神的金陵画坛,开始进入了一个群雄逐鹿的多元时代。这其中,方骏以其别具风貌的绘画语言和戛然独造的形态体格自成一家,令人刮目。关于方骏的山水画,郎绍君曾以“结构严谨,用笔松秀而纵意”相概括。所谓“结 Since the beginning of the Qing dynasty, Nanjing has always been the center of landscape painting. All of us came forth in large numbers and became bright stars. Especially in the history of modern painting, Nanjing occupies an important position. By the late last century, along with the older artists such as Fu Baoshi, Qian Songyan, and Song Wenschich, one after another, with a solid overall strength and a strong entrepreneurial spirit, began to enter a crowded era. Among them, Fang Chun with its unique style of painting and absurd form of self-formed, striking. On Fang Jun’s landscape painting, Lang Shaojun once summed up with ”rigorous structure, with a pen loose show and longitudinal “. The so-called ”knot