印象派是伴随着1874年的轰动画展而诞生的。但这一新的画派在19世纪60年代已经初见端倪。19世纪西方美术的中心在法国,主宰法国画坛的仍然是有势力的官方学院派。19世纪下半叶法国画界有一部分青年画家反对官方学院派艺术的墨守陈规,他们要求艺术上的革新和创作自由,经常聚集在巴黎的盖尔波瓦咖啡馆自由交换对艺术的见解,共同寻求艺术创新道路。由于他们把“光”和“色彩”看成是画家追求的主要目的,就不可避免地将画家对客观事物的认识停留在感觉阶段,关注对“瞬间”印象的表现。在他们看来世界万物在阳光下一律是平等的。雷诺阿曾说过:“自然之中,决无贫贱之分。在阳光底下,破败的茅屋可以 Impressionism is accompanied by the sensational 1874 exhibition was born. However, this new school of painting was already seen in the 1860s. The center of Western art in the 19th century in France, dominated the French art scene is still a powerful official academic school. In the second half of the 19th century, a part of the young painters in the French art field objected to the stereotypes of official academic art. They demanded artistic freedom for innovation and creativity. The Galleries, often gathered in Paris, freely exchanged views on art. Seek creative ways of art. Because they regard ”light “ and ”color “ as the main purpose pursued by the painter, they inevitably stop the artist’s understanding of the objective things in the sensation stage and pay attention to the expression of the ”instantaneous“ impression. In their view, all things in the world are equal in the sun. Renoir once said: ”In nature, there is no difference between cheap and cheap. In the sun, the dilapidated hut can