李长之主张以“艺术论的文学原理”代替传统的文学概论,并积极提倡重新发掘中国古典美学中的时代元素,以文艺美学的思想引领中国的文艺批评和文艺教育,从而真正实现“中国的文艺复兴”。基于此,试从上述两个方面论述李长之对于中国文艺美学学科建构史上的重要意义。 Li Changzhi advocated that “the literary theory of artistic theory” be replaced by the traditional literary theory, and actively promoted the rediscovery of the elements of the times in Chinese classical aesthetics and guided the literary criticism and literary education in China with the ideas of literary aesthetics, so as to truly realize “ Chinese Renaissance ”. Based on this, I will discuss the significance of Li Changzhi in the history of the construction of Chinese literature, art and aesthetics from the above two aspects.