滑稽,是滑稽剧的灵魂。滑稽的直接剧场效应则是观众的笑声。如何才能得到滑稽?这是滑稽剧团的编剧、导演和演员所共同关心的问题。一个最简易的方法,就是通过演员的奇腔怪调、挤眉弄眼等“恶做”来取笑,所谓“廉价滑稽”就是。滑稽理论界正在纷纷指斥“廉价滑稽”的低级、庸俗。但是,当代市民阶层的观众并不完全排斥“廉价滑稽”。因而,我们也似乎不必过于性急,在一片讨伐声中把它一棍子打死。相反,应该让它作为一种滑稽的表演支派而存在。然而,作为滑稽剧灵魂的滑稽,决不是“廉价滑稽”。而且,无论“廉价滑稽”在现时还拥有多少市场,滑稽戏的编剧、导演、演员也决不能把它当作取得剧场效应的重要手段。 Funny, is the soul of comedy. Funny direct theater effect is the laughter of the audience. How to get funny? This is the funny theater troupe, director and actor of common concern. One of the easiest ways to make fun is to make fun of the actors by making use of the eccentricities of strangers and winks. The so-called “cheap funny” is. Funny theory is one after another denounced the “cheap funny” low, vulgar. However, the audience of contemporary citizen class does not completely exclude “cheap funny.” Therefore, we also do not seem to need to be too determined to kill a stick in a crusade. Instead, it should exist as a funny performance tribe. However, the comic, the soul of a comedy, is by no means “cheap funny.” Moreover, no matter how many markets the “cheap comic” still has, the writers, directors and actors of comic plays must not regard it as an important means of obtaining the theater effect.