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喜欢理查德·马克斯是因为喜欢《此情可待》,喜欢《此情可待》的理由是没有理由。一台,教你烹饪;二台,剑道表演;三台,东京购物指南——“啪”地关上电视。2002年2月4日,深夜12点差一刻钟,日本福冈。和氏的布置让我越看越别扭,叽叽咕咕的日语令我烦躁不安,而同一房间的她却偷偷跑到隔壁女生那里闹联欢了。唉,本指望和她促膝长谈,哪知道她也耐不住寂寞……我有一种失败透顶的感觉,也不知道她什么时候回来。又无聊又寂寞,只得痴痴地胡乱地想着,傻傻地等待。开始还有耐心,可后来,我开始翻找着什么,希望它能陪我度过这一段空虚的时光。咦,衣物下居然压着一台“索尼”随身听,旁边还压着个东西。我将信将疑地把它们取了出来。
Like Richard Max is because he likes “It’s okay to be here”, and the reason why he likes “Be nice” is no reason. One to teach you cooking; two sets of kendo shows; three sets of Tokyo shopping guides - “snapped” on television. February 4, 2002, 12 o’clock late at night, Fukuoka, Japan. The arrangement of He’s made me look more and more awkward, and the hustle and bustle of Japanese made me fretful, and in the same room she sneaked to the next-door girl to join in. Hey, I hope to have a long talk with her. I know she can’t help myself... I have a feeling of failure and I don’t know when she’ll be back. It was boring and lonely, and she only had to be thinking wildly and innocently. At the beginning there was patience, but then I began to search for something, hoping it would accompany me through this period of emptiness. Hey, there was a “Sony” walker under the clothes, and there was something pressing next to it. I took them out in doubt.