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小说的话语是一种多声交会的“杂语”。翻译小说时,单纯地将话语归于作者或人物,不足以揭示话语本身及话语结构的实质。在译著中常有一些话语未获得应有的身份,从而破坏了小说翻译的艺术完整性。从《叶甫盖尼.奥涅金》的汉译来看,辨识话语主体具有以下作用:保持话语主体语言风格的一致性,展示话语主体与其他形象之间的关系,再现作者创作的艺术手段以及揭示作者的情感评价立场。
The discourse of the novel is a kind of “miscellaneous language” which is a multi-pronged society. When translating novels, simply to discourse as an author or character, not enough to reveal the substance of the discourse itself and discourse structure. In the translation, some utterances often fail to gain due status, which undermines the artistic integrity of fictional translation. From the perspective of the translation of Ye Fu Gianni Onegin, the main body of discourse recognition has the following functions: to maintain the consistency of the language style of the subject of discourse, to show the relationship between subject of discourse and other images and to reproduce the artistic means of author’s creation And reveal the author’s emotional evaluation position.