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刘庆邦的新作《黑白男女》通过对从灾难之中的一时惨烈的描摹转向对灾难之后的永久撕裂的透视,实现了表现领域的扩大和批判力度的加重;对笔下人物的情感倾向由单纯的同情怜悯转向敬畏钦佩,不仅有效实现了人性深度的开掘,而且实现了对左翼文学传统的继承与扬弃;作家重新设置主体姿态,在新的维度上实现了割裂已久的精英意识与平民意识的有机整合,有效规避了上述问题,将“底层写作”推向新的发展阶段。
Liu Qingbang’s new work “Black and white men and women” realized the expansion and criticism of the field of expression by aggravating the perspective from the momentous tragedy in the disaster to the permanent tear after the disaster; Compassion and compassion turned to respect and admiration, which not only effectively excavated the depth of humanity, but also inherited and abandoned the left-wing literature tradition. The writer rearranged the main body posture and realized the long-separated elite and civilian consciousness in the new dimension Organic integration, effectively circumvent the above problems, the “bottom writing ” to a new stage of development.