当然,我过于把詩歌工作簡單化、图解公式化和太服从脑子的淘汰了。自然,写詩的过程要更曲折些、直觉些。但是,在基本上,工作总是照这种方式进行的。开头的四句决定着往后整首詩。手边有了这样的四行詩,我已經划算,为这个題材需要多少这样的四行和为了最好的效果怎样把它們分配:詩的結构。題材是大的和复杂的——得要为它耗費这样的四行、六行和两行詩——磚 Of course, I was too simplistic in my work on poetry, formulaically formulating and obeying my mind. Naturally, the process of writing poetry should be more tortuous, some intuition. But basically, the work is always done this way. The first four sentences determine the whole poem in the future. With these four lines at hand, I’ve figured out how many such lines are needed for this theme and how they are allotted for the best effect: the structure of the poem. The subject matter is large and complex - it is imperative to spend four, six and two lines of poetry for it - bricks