克里斯托弗·马洛(1564—1593),英国文艺复兴时期重要的剧作家,莎士比亚以前英国戏剧界最重要的人物,英国近代戏剧的奠基者。马洛擅长通过气势磅礴的无韵体诗来表现文艺复兴时期巨人的气魄以及人的无限欲望和追求。《帖木儿大帝》就是这种手法的开山之作,并被认为是英国的人文主义戏剧繁荣的发端。《帖木儿大帝》分上、下两部,一共十幕。在剧中,马洛满怀热情,用充满激情的语言描写了一个有血有肉、感情丰富的人物。在这个人物身上,充满了对权力的无限欲望和冷眼看世界的孤傲。[1] Christopher Malo (1564-1593), an important playwright in the English Renaissance, Shakespeare’s foremost figure in the British theater, and the founders of British modern drama. Marlowe excels at expressing the spirit of the Renaissance giants and the infinite desire and pursuit of the Renaissance giants through the magnificent non-rhythmic poems. “Timurid the Great” is the mountain of this technique, and is considered as the starting point for the flourishing humanist drama in Britain. “Timuron” points on the next two, a total of ten. In the play, Marlow full of passion, with passionate language describes a flesh and blood, rich feelings of the characters. In this figure, it is filled with the infinite desire for power and the cold-heartedness of the world. [1]