“色空”观点是《红楼梦》悲剧意识的反映，在小说中贯穿始终。曹雪芹用“色空”观否定了世俗社会追求的一切东西，有其消沉的一面，但也折射出关于生命和宇宙的哲理思考。而贾宝玉“色空”的生命轮回历程，杂揉着儒释道三教的内涵，反映了曹雪芹思想的复杂性，《红楼梦》的悲剧意识，实际上是传统文化的悲剧。 The view of “color space” is a reflection of the tragedy consciousness of “Dream of Red Mansions” and runs through it all the time. With the concept of “color space”, Cao Xueqin denied everything the secular society pursued, which had its depression side, but also reflected the philosophical thinking on life and the universe. The life cycle of Jia Baoyu’s “Color Space” miscellaneous rubs the connotation of Confucianism, Buddhism and Taoism, which reflects the complexity of Cao Xueqin’s thought. The tragedy consciousness of “Dream of Red Mansions” is actually the tragedy of traditional culture.