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词曲作者在一度创作中,通过一系列的技术手段,将所需要表现的内容统统固定在乐谱的适当位置上,无法记述声乐表演中的音响内在律动和细致的变化与情感流程,更无法记述表演者个体的主观感受和情感流程,歌剧演唱是歌剧艺术的灵魂和生命,它是指表演在歌剧演唱艺术实践环节中的中心地位,因此这就需要表演者根据词曲作者的一度创作在演唱中揭示作品生活内涵,显示自己与他人有别的艺术个性,从而使作品因其演唱而增色的声乐表演,可被称作二度创作,也就是说将一度创作传递给观众的视听化过程。
In a time of writing, songwriter fixed all the necessary contents in a proper position of the score through a series of technical means, which can not describe the intrinsic sound movement in the vocal performance and the meticulous change and emotional process, and can not even describe the performance The individual’s subjective feelings and emotional process, opera singing is the soul and life of opera art. It refers to the central position of performance in the art practice of opera singing. Therefore, it is necessary for performers to reveal the performance in concert according to the first author of songwriter The vocal performance of the work, the vocal performance that shows oneself and others have different artistic individuality so as to enhance the performance of the work because of its singing can be called “second creation”, that is to say, the process of audiovisualization that once passed the creation to the audience.