山水是客观存在的,而画家心中的山水已不再是纯客观的真山真水,应当是“随手写出,皆为山水传神”,是画家心中的“真山真水”,是一种艺术的真实,“用最大的功力打进去,用最大的勇气打出来”(李可染)。中国纸油画是画家十多年矢志不渝,艰苦探索的结果。它吸收传统中国山水画的艺术精髓,又大胆开拓创新,熟练地运用艺术规律,调动起构思,构图,塑渲纸、油画染料等一切因素,以心灵的质朴探求大自然的真实,在印象派技法为基础的写实主义上揉进了东方写意的手法,两者巧妙结合,浑然 Landscape is an objective reality, and the artist’s landscape is no longer a purely objective true water, should be “readily written, all vivid landscapes,” is the painter’s heart, “true and true” is an art of real, “With the greatest skill to fight in, with the greatest courage out” (Lee can dye). Chinese paper painting is the result of more than ten years of painstaking painstaking exploration and arduous exploration. It absorbs the essence of art of traditional Chinese landscape painting, boldly blazes new trails and uses art rules proficiently. It mobilizes all factors such as idea, composition, plastic and papermaking, oil paint and so on. It explores the true nature of nature with the simplicity of mind. Fundamental realism rubbed into the Eastern freehand technique, the two clever combination of