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旦角与丑角两个人在二人转中是怎样的地位,起着怎样的作用呢”是平分秋色、相映生辉?还是旦主丑次,丑主旦次? 对此,学术界较为一致的观点是:丑主旦次。著名吉剧作家王肯先生说:“二人转一男一女的两个演员,负担都很重。……两个人要默契,要演成一棵菜,一块玉。二人中有一个弱者就会影响这场戏。什么是戏?艺人说,‘留住观众就是戏’。从这个意义上说,丑在留住观众这一点上,负担要更重,本事要更大。因此才有‘三分包头的(女的),七分唱丑的’之说。”(《丑的大圈》,《土野的美
What is the role of the two angles of the horns and the clown in turning the duo into two parts? What is the difference? The main Danjian times famous singer writer Ken Wang said: “The two turn a man and a woman of two actors, the burden is heavy. ... ... two people to tacit understanding, to act as a dish, a piece of jade. One of the two weak will affect the scene. What is a play? Artist said, ’keep the audience is the show’. In this sense, the ugly burden is heavier on the point of retaining the audience, and the ability is greater. Therefore, there is ”tibetan (female)“ and ”sequel“. (”Ugly big circle“, ”earthy beauty