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英格博格·巴赫曼(Ingeborg Bachmann 1926-1973)是20世纪著名的德语诗人。在她的诗歌中所体现出的现代德语抒情诗所特有的存在感与思辨性,都与她早年的哲学研究背景密切相关。本文针对女诗人早期与20世纪哲学的思想关系作以简要评述,包括她对于海德格尔哲学的批判与认同,以及她对维特根斯坦“不可言说”的思考,并得出如下结论:巴赫曼将艺术言说、尤其诗性言说视为言说存在的唯一合理方式。它如同一条移动的界限,在可言说与不可言说的冲突之中显示自身。
Ingeborg Bachmann (1926-1973) was a famous German poet of the twentieth century. The existential sense and speculative characteristic peculiar to modern German lyric poetry embodied in her poems are closely related to her early philosophical background. This essay briefly reviews the ideological relationship between the early and the 20th century philosophy of the female poet, including her criticism and identity of Heidegger’s philosophy and her reflections on Wittgenstein’s “unspeakable”, and draws the following conclusion: Bachmann regards artistic speech, especially poetic speech, as the only reasonable way of saying. It acts as a moving boundary, revealing itself in clashes that can be said with and without words.