《半池空》是杨穹为传统价值回归时代所做的第一次尝试,意图在过去的文明中,发观并再创造与民众身份相适切的语言和内涵。围绕展览展开的创作,杨穹受古宅院常见的风水池塘启发。作品取用历代用朝所遗留的器具(瓷器、家具、塑像等)作为素材,用“弃物”和“空池”的意象编织暗含隐喻的剧情,借时过境迁的意味表达一种虽存在却空无的境界,进而激发观众对于“过去”和“即将成为过去之今 ”Half a Pool Empty“ is the first attempt made by Yang Qiong to return to the traditional values ​​in the past, with the intention of developing and recreating the language and connotation appropriate to the identity of the public in past civilizations. Inspired by the exhibition, Yang Qiong is inspired by the feng shui ponds commonly found in ancient houses. Works taken from the ancient dynasty with the legacy of the apparatus (porcelain, furniture, statues, etc.) as the material, with ”dumped “ and ”empty pool “ image weave implied metaphorical plot, by the passage of time mean a Although there is no realm, and then inspire the audience for ”past “ and ”is about to become the past