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作曲家的作品离开了舞台乐池,映射至现代的IMAX电影大屏幕,自然就获得了比高雅音乐艺术上多出上百倍的听众。陈其钢在张艺谋文艺电影《归来》中的钢琴配乐实践迎来了一场胜利。改编自严歌苓小说《陆犯焉识》尾点的电影,讲述着知识分子陆焉识与妻子冯婉瑜在“文革”时代际遇下的情感变迁故事。在关于剧本平淡、色调灰白的影评中,陈其钢负责的全片配乐,朗朗担任电影配乐的钢琴演奏,以及《渔光曲》(改编)《大海航行靠舵手》等等老旋律的无缝接入,都成为了张艺谋的新片《归来》的亮点。经过2008年北京奥运会开幕
Composers left the stage music pool, mapping to the modern IMAX movie screen, naturally get more than a hundred times higher than the elegant music of the audience. Chen Qigang ushered in a victory in the pianist music practice of Zhang Yimou’s literary film “Return”. A movie adapted from the tail end of Yan Geling’s novel “Lu Zu Yan Yan Shi” tells the story of the emotional changes encountered by intellectuals Lu Yanzhi and his wife Feng Wanyu in the “Cultural Revolution” era. In his cinematic critique of the screenplay, Chen Qigang is in charge of a full-length soundtrack, Lang Lang plays the piano score for the soundtrack, and seamlessly accesses old melodies such as “Yu Guang Qu” (adaptation), “Sailing by the Sea” , Have become the highlight of Zhang Yimou’s new film “return”. After the 2008 Beijing Olympic Games opened