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中国绘画之特殊,在于它有自身的绵延历史,形成了独特的品画鉴赏原则。经过20世纪的现代美术风潮,可以看到这个独特的绘画审美原则不仅没有退场,反而变得更加显明,而且成为与现代美术进行有机对话的资粮,在相当的层面上让我们重新认识到了中国绘画的美学品格。李娜用中国传统媒介和材料创作绘画,静观其画,深有妙意;如果再将之放在东方文化的框架内,富含象征:如果与现代视觉对
Chinese painting is special because it has its own history of stretching, forming a unique principle of appreciation of paintings. After the tide of modern art of the 20th century, we can see that this unique aesthetic principle of painting not only has not exited, but has become more obvious. It has also become an opportunity for organic dialogue with modern fine arts. On a considerable level, let us re-recognize China Aesthetic character of painting. Li Na used Chinese traditional media and materials to create paintings, contemplating the paintings with profound meaning. If it was put within the framework of oriental culture, Li Na was rich in symbols: