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面对现实生活的艺术命题,今天的画家们大致有两种念度,一种是真诚地拥抱生活,在寻常诗意中寻回激情与灵感,把自己的艺术与人生更紧密地结合起来;一种是沉湎于内心的寻找与叩问,但由于种种原因,他们往往陷于精神与创作的误区,作品缺乏热情与活力,日渐脱离生活和审美需求。画家孔奇无疑属于前者。他足一个才情并茂的画家,凭借自己的悟性和勤奋,他的水墨人物画自成风格,
In the face of the artistic proposition of real life, today’s painters generally have two kinds of readiness: one is embracing life in good faith, recovering passion and inspiration in ordinary poetic sentiment, and integrating their art and life more closely; However, due to various reasons, they are often trapped in the errors of spirit and creation. Their work lacks enthusiasm and vitality and gradually deviates from life and aesthetic needs. The painter Kong Qi undoubtedly belongs to the former. He is a painter with great talent, by virtue of his understanding and diligence, his ink painting character self-styled,