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从艺二十余年来,我始终在“四功五法”的实践中苦苦寻求“情”与“美”的交融支点,把对人物情感世界的索秘探微转化为感人至深的舞台形象。艺术的本质是感情。戏曲舞台上一切的喜、怒、哀、乐无不隐含万千心语历程,蕴藉复杂的内心世界,最终以演员为载体显现美的意境。豫剧《倒霉大叔的婚事》是豫剧现代戏发展历程中具有里程碑意义的一部佳作。一部有理性深度的戏剧作品,吸引观众的不仅仅是那些跌宕起伏、幽默机趣的故事情节,更有剧情背后所蕴含的中原农民追求美好生活的乐观精神。该剧虽从戏曲中常见的男婚女
In the past 20 years since its foundation, I have been trying hard to find a blending fulcrum of “love ” and “beauty ” in the practice of For the moving stage image. The essence of art is emotion. All the joy, anger, sadness and joy in the drama stage imply the course of thousands of words, revealing the complicated inner world, and finally revealing the artistic conception of the United States with the actor as the carrier. Opera “unlucky marriage” is a milestone milestone in the development of opera in modern opera. A rational depth of drama, to attract the audience not only those ups and downs, humorous story, but also behind the story of the Central Plains farmers contained in the pursuit of a optimistic spirit of a better life. Although the drama from the male common in drama drama