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“后经典”时代来临以后,“叙事性”不必作为评判电影视觉奇观及其美学价值的唯一标准。进入新世纪以来,奇观电影的风行,对国内电影产业生态产生了巨大的影响,对电影研究者也提出了新的课题。随着P2P技术的日臻完善,影像观看方式也相应变化,制作技术与媒体传播技术深刻影响了“后经典”时代的受众分层及其观看方式,需要研究者及时关注、跟进。技术对电影美学与电影产业的影响,不仅包括制作技术,还包括媒体传播技术。3D技术的出现,重新强调电影院与大银幕视听享受的排他性。由此,电影创作者的知识产权得到了前所未有的严格保护,但也导致了新的产业市场垄断与文化多元性危机。
After the advent of the “classic” era, “narrativeness” does not have to be used as the sole criterion for judging the visual spectacle and aesthetic value of the movie. Since the advent of the new century, the spectacle of spectacle movies has had a huge impact on the domestic film industry ecology and has also raised new topics for film researchers. With the improvement of P2P technology, the way video viewing changes accordingly. The production technology and media communication technologies have profoundly influenced the audiences’ stratification and viewing methods in the post-classic era, which requires the researchers to pay close attention and follow up in time. The impact of technology on film aesthetics and the film industry includes not only production technology but also media diffusion technology. The advent of 3D technology re-emphasizes the exclusivity of cinema and the big-screen audiovisual enjoyment. As a result, the intellectual property rights of movie creators have been severely protected as never before, but they have also led to new industry monopolies and cultural crises.