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女性导演米娅·汉森-洛夫是出生于20世纪80年代的法国电影作者,她生长在新社会的旗帜下,受到较高的思想文化教育,因而被新型电影手法深深影响。此外,她独特的思维逻辑及较高的创作水平也为她的影视作品增色不少。本文将她的三部影视作品《请原谅》《我孩子们的父亲》和《再见初恋》作为研究对象,从她的叙事手段及叙事主题出发,深入地研究富有哲学成就和学术成就的米娅·汉森-洛夫所创作影片的理性架构与内涵。
Female director Mia Hansen-Love was born in the 1980s French film author, she grew up under the banner of a new society, subject to higher ideological and cultural education, which is deeply influenced by the new film technique. In addition, her unique logic of thinking and high creative level also for her film and television works a lot. This article takes her three movies “Please forgive me”, “My children’s father” and “Goodbye first love” as research subjects. Starting from her narrative method and narrative theme, I deeply study the richness of Mia The Rational Framework and Connotation of the Film Created by Hanson - Love.