以十当一积累是篆刻创作中的源泉。一方印作的成功与否,乃至一个作者的风格成熟与否,固然包括作者的分析、表现的诸多因素。然而,一个作者的阅历深浅,知识修养、熟悉本体程度,亦即本身积累的厚薄,却是最基本而又最紧要的一环。不妨将篆刻比喻为建造一座房屋,建房须先筹办建筑材料,然后才能动工。篆刻也一样,须先撷取素材,然后才能动刀去刻。深究于篆,融通章法,用刀熟练……显而易见,作者的积累就好比一个后勤材料仓库, The accumulation of ten when a seal is the source of creation. The success or failure of one of the printed works, and even the author’s style is mature or not, of course, including the author’s analysis, the performance of many factors. However, an author’s depth of experience, knowledge accomplishment, familiarity with the ontology, that is, the thickness of the accumulation itself, but it is the most basic and most critical part. May wish to compare the carving for the construction of a house, building a house must first organize building materials, and then to start. Seal the same, you must first retrieve the material, and then to move the knife to carve. Study in the seal, Rongzongzhangfa, skilled knives ... ... Obviously, the accumulation of the author is like a logistics warehouse material,