从散文集《夜晚灼烫》到诗集《寂火》,两个有着血缘关系的元素反复出现在黑陶的文本中,似乎成了他诉之不尽的力量之源:泥与焰。他用汉语的扁担,挑着两个与父辈命运休戚相关的元素,温实地在大地上行走。因为相同地域生活与书写的背景,我能够真切地触摸到20世纪80年代扑面而来的气息,以及日常生活图景的再现与观照。《寂火》里收录了梦亦非的那篇《动词中父性的江南》,“我之所以这样推重黑陶的诗,当然有我的理由。历来 From the essay ”Night Scalding“ to the poem ”Silent Fire,“ two bloodied elements recurring in the text of the black pottery seem to have become the source of his inexhaustible power: mud and flame. Using the Chinese pole, he lugged two elements that were related to the fate of his father and walked on the earth with tenderness. Because of the same geographical background of living and writing, I can really touch the breath of the 1980s and the reproduction and contemplation of the daily life. ”Silence“ contains the dream of ”the verb in the father of the Jiangnan,“ ”The reason why I put emphasis on black pottery poetry, of course, my reason.