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与《三国演义》、《水浒传》、《西游记》等带有某种程度的“史诗”性质的中国古代长篇小说相比，《金瓶梅》把现实生活和自己的人生感受通过一种漫画式的形式表现出来，使中国古代长篇小说的创作产生了由历史到现实、由超人到常人的改变，这不仅是题材内容的改变、审美领域的拓展，在某种意义上，甚至可以认为是中国古代长篇小说美学观念的革命。这种美学观念的革命在《金瓶梅》的艺术结构、人物形象、语言叙述等方面都有丰富而生动的体现。
Compared with the ancient Chinese novels with a certain degree of “epic” nature, such as The Romance of the Three Kingdoms, The Outlaws of the Marsh, The Journey to the West, etc., Jin Ping Mei takes the real life and his own life experience through a cartoon style , So that the creation of ancient Chinese novels has changed from history to reality and from superman to ordinary people. This is not only the change of the subject matter, the expansion of the aesthetic field, but also in a sense, it can even be regarded as China Aesthetic Revolution of Ancient Novels. The revolution of this aesthetic concept is rich and vivid in the aspects of the art structure, characters and language narration of Jin Ping Mei.