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李启色,沉湎大自然,陶醉于对山水树石的描绘,近年足迹遍及大江南北,每当行到水穷处,坐看云起时,便开始操笔作画了。他在长期的山水画创作实践过程中,对山水画创作,有着自己独到的理解和体悟。对五代时期著名的山水画家荆浩所提出“搜妙创真”的山水画命题更是推崇备至。荆浩在《笔法记》中,借与一叟相遇于太行山之洪谷的石鼓岩并与其展开对话的方式,提出了对后世山水画创作影响颇深的关于山水画“气、韵、思、景、笔、
Li Kai-color, Shen Yong nature, intoxicated with the description of the landscape trees and stones, in recent years, footprints all over the river north and south, whenever the line to the water, take a look at clouds, they began to pen and painting. In his long-term practice of landscape painting creation, he has his own unique understanding and understanding of landscape painting. On the famous landscape painter Jing Hao during the Five Dynasties period, the proposition of landscape painting of ”Searching for a real“ is more respected. Jing Hao, in his ”Tale of Dharma", borrowed a series of dialogues with Shek Kwu of the Hong Valley in the Taihang Mountains to discuss the relationship between landscape painting, King, pen,