人们或许会很自然地称她为继安娜贝拉、达尼埃尔·达里厄和米歇尔·摩根之后杰出的“法国女演员”,这丝毫不影响她拥有好莱坞明星那种不可捉摸的眼神,也不使她的形象凝固于某一时代。她那激动的心情——那种经常显露于她的面颊的喜乐神色,不时地流露而出。凯瑟琳·德纳芙在影片中长期扮演富有责任心的女资产者角色,她的演技在路易斯·布努力艾尔导演的《白昼画人》(1967)和《特丽丝丹娜》(1970)里得到了最完美的表现;影片中在她那忍耐的性格后面常常 People may naturally call her the “French actress” after Annabella, Danielle Darieux and Michelle Morgan, without any doubt that she has the elusiveness of a Hollywood star Eyes, nor make her image solidified in a certain era. Her excitement - the kind of delight that often reveals on her cheeks - is revealed from time to time. Catherine Deneuve has long been a responsible female asset manager in the film. Her acting skills are based on the works of Daydreaming Man (1967) and Taris Danner (1970) directed by Louise Boulevard, Where the most perfect performance; in the film behind her patience often