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本文以柏林墙题材的著名诗文、克里斯塔·沃尔夫的《分裂的天空》和佛尔克·布劳恩的《墙》及《所有》为例,从记忆理论的视角,考察文学与集体记忆的相互交集和作用,描述意义的凝结、读者接受的再塑造、意识形态和政治等因素对于回忆文本的影响,分析高墙下分裂的自我与围墙内集体记忆形成的关联,阐释文学内部的记忆即文本互涉方法、文学作为集体和文化文本之于表现“围墙与诗人”主题的意义。
Taking the famous poems of the Berlin Wall, Krystal Wolff’s “Split Sky” and Falk Braun’s “Wall” and “All” as an example, this essay examines literature from the perspective of memory theory The interaction with collective memory, the condensation of descriptive meaning, the re-shaping of readers’ acceptance, the influence of ideology and politics on the memory of the text, the analysis of the association between the divided self under the high wall and the formation of collective memory within the wall, and the interpretation of literature The internal memory is the method of textual intercommunication, and the meaning of literature as a collective and cultural text in the expression “The Wall and the Poet”.