戴熙论画，以闲、静、淡、远的风格为“四美”，又进而以识、学、才“三长”兼备，才得画道之成，他提倡“形为心役”的创作，认为造化重于笔墨。他认为文人画应是“名心尽净”、“游戏人间”，故提倡“趣”、“灵和”、“天真”。在学古的择向中，戴熙窥元而追宋，有“振起北宋”之志。他对“四季山水”说有自己独到的体会，对风格学有独到的美学诠释。 Dai Xi’s paintings are based on the style of “four beauties” of leisure, calm, lightness and farness, and then, through knowledge, study and talent, The creation, that made more emphasis on pen and ink. He believes that literati painting should be “celebrities to make the net”, “game world”, it advocates “fun”, “spirit and”, “naive.” In the study of ancient choice, Dai Xi Peiyuan chase Song, “arouse the Northern Song Dynasty” ambition. He said “Four Seasons Landscape” has its own unique experience, a unique aesthetic interpretation of style.