一、写在前面南京的文化气息地域与艺术家的关系是一个古老的话题,早在19世纪,西人丹纳就为我们构筑了“种族、环境、时代”这样的决定论关系,中国传统中的相关描述则是“一方水土养一方人”。这个决定论伴随着现代艺术的兴起开始褪色——来自不同地域的艺术家逐步群聚在中心城市,在某种信念的驱使下,流派与风格开始与地域特征不再具有决定性关系。特别在直面后现代社会生活的今天,地域文化更变成了“保守”、“封闭”的代名词。中心与边缘的界限,一方面愈加明显,另一方面却越来越模糊;因为交通工具的提速和网络 First, write in front of Nanjing’s cultural atmosphere Geographical area and the relationship between artists is an ancient topic, as early as the 19th century, Western Danner built for us “race, environment, age,” such a deterministic relationship, China Traditionally, the relevant description is “one party water and soil to support one side ”. This determinism began to fade with the rise of modern art - artists from different regions gradually gathered in central cities. Driven by a certain kind of beliefs, schools and genres began to no longer have a decisive relationship with geographical features. Especially in the face of post-modern social life today, the regional culture has become synonymous with “conservative” and “closed”. The boundary between the center and the edge is more obvious on the one hand and more and more vague on the other hand. Because of the speed of transport and the network