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考察鲁迅小说中的(留)洋书写,我们可以探勘鲁迅思想认知中对西方文化的复杂呈现,其中既有对假洋鬼子瞒、骗,甚至是凶手的反动本质的批判,也有对“西方主义”偏见的清算;同样,如果考察小说中的洋话,它呈现出来的不只是语言的狂欢,而更是一种文化政治的角力;而辫子与手杖的文化对流既能反映出现代性渗入的难能可贵,同时又深刻揭示新旧共谋的复杂纠葛。
In examining the writing of foreign languages in Lu Xun’s novels, we can explore the complex presentation of western culture in Lu Xun’s ideology, in which we can not only criticize the deceitful, cheating and even the reactionary essence of the murderers, but also criticize the Western In the same way, if the foreign dialect in the novel is examined, it presents not only the carnival of language but also a cultural and political wrestling. The cultural convection of dreadlocks and walking sticks not only reflects the modernity Infiltrated valuable, but also reveals the complicated complex of old and new conspiracy.