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新文学“求真”的倾向通过一部分作家对写实的自觉获得某种程度的体现,但在依赖个人经验及生活事件的摹写追寻真实性价值的过程中,他们的创造性想象却遭遇冷落并形成偏枯之势,从而不仅妨碍了艺术真实的深度发掘,也削弱了新文学审美形态的整体魅力。其原因与创作者和批评者在真实与想象关系上的误解,以及对想象本身具有的真实性意义的怀疑有关,而根源仍然不出文学功用观的潜在制约。
The tendency of “new literature” “seeking truth” is partly reflected in the realistic consciousness of some writers. However, in relying on the personal experience and the copying of life events, the creative imagination has suffered from neglect The formation of partial weakness, which not only hinder the true depth of art to explore, but also weakened the overall aesthetic charm of new literature. The reason is related to the misunderstanding between creators and critics on the relationship between reality and imagination, as well as the suspicion about the authenticity of the imagination itself, but the underlying causes are still not the potential constraints of the concept of literary utility.