近年来,《尘埃落定》《长恨歌》《推拿》《1988我想和这个世界谈谈》等纷纷亮相舞台,可见当代小说的改编热愈演愈烈。剧本荒,无疑是最令当下戏剧领域一筹莫展的头等困境。寻找优秀剧本,一时间成为导演、剧作家们共同的愿景。随着小说改编热的兴盛,评论界也将视线聚焦于日渐显影的跨界风潮。与之相应的是,诗歌与戏剧两种文体的碰撞,也悄然引起学界关注。且不谈声光诗、影像诗、诗剧等,它们自1980年代舞台 In recent years, “Dust Settle,” “Everlasting Regret,” “Massage,” “I Want to Talk to the World in 1988,” etc. appeared one after another, showing that the adaptation of contemporary novels intensified. Script shortage, no doubt the most dilemma in the current theater field. Looking for excellent script, for a time become a director, dramatist common vision. With the adaptation of fiction hot, the critics also focus on the increasingly developing cross-border wave. Correspondingly, the collision of two styles of poetry and drama also quietly attracted the attention of academic circles. Not to mention the sound and light poetry, video poetry, poetry drama, etc., since the stage of the 1980s