论文部分内容阅读
戏曲作为一种审美文化,曾令无数人为之倾倒,而当今现代文化语境中的中国戏曲,既延续着中国传统审美文化上千年的传统血脉,又在现代文化的冲击下面临着全新的文化建设使命,急需获得一种审美的重塑,不免陷入两难境地,在“现代化”与“经典化”间难以抉择。相信中国戏曲只有超越传统与现代的二元对立,在现代文化的整合中不断获得其自身审美价值的定位,保住其文化之根,继而融入当代美学精神,才能使戏曲这株古树生发出更新新枝绿叶,焕发新的生机与活力。
As a kind of aesthetic culture, opera has caused countless people to dump it. However, the Chinese traditional opera in the context of modern culture not only inherits the traditional blood of thousands of years of Chinese traditional aesthetic culture, but also faces a completely new culture under the impact of modern culture It is hard to choose between “modernization” and “classicization” in order to build a mission and urgently need to obtain an aesthetic remodeling. It is believed that only by transcending the binary opposition between tradition and modernity, Chinese opera can gain its own aesthetic value in the integration of modern culture, keep the root of its culture and then integrate it with contemporary aesthetics, New branches green leaves, glow new vitality and vitality.