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印刷业近代化改造与新传播方式的出现,扩大了小说阅读市场,大众成为读者群主体,出版者为牟利而迎合其好恶的经营,使他们的小说观开始占据主导地位,打破了原先以劝惩为主导的格局。随着国家临近危亡深渊,改良小说呼声渐起,梁启超在此基础上倡导“小说界革命”。小说地位提高为快速发展打开了通道,但否定传统小说,以政治为评判标准,又滋生大批粗率、缺乏艺术性的作品,该理论也因此遭质疑。最后,在读者取舍、市场选择以及创作与评论的交互作用下,强调小说文学特性的主张终于为主流作者所接受。
The modernization of the printing industry and the emergence of new modes of communication have expanded the market for reading novels, and the public has become the mainstay of readers. Publishers have catered for their good and evil so as to make profits. This has led them to take the dominant position in view of novels, Punishment as the leading pattern. As the country approaches the abyss of danger, the voice of reforming novels gradually rises, and Liang Qichao advocates “revolution in fiction circles” on the basis of this. The status quo of novels has opened the channel for rapid development. However, it denied the traditional novels, and based on the political criteria, it gave birth to a large number of crude and artless works. This theory was therefore questioned. Finally, under the influence of reader’s choice, market choice and the interaction between creation and commentary, the claim that emphasizes the literary character of fiction is finally accepted by mainstream authors.