2015年4月28日至30日,应台湾艺术大学的邀请,沈阳音乐学院音乐舞蹈研究所所长胡天虹教授及民乐系赵夺良教授、音乐学系刘云燕教授,胡天虹教授的两名研究生刘兵和本文作者赴台湾参加了由该学院举办的“融会与启发:音乐学的多元视角”国际学术研讨会。对于“融会与启发:音乐学的多元视角”这样的研讨会主题,台湾艺术大学给予了这样的阐释:所谓“中国音乐”已经逐渐有了新的 From April 28 to April 30, 2015, at the invitation of National Taiwan University of the Arts, Professor Hu Tianhong, director of the Institute of Music and Dance, Shenyang Conservatory of Music, Zhao Zhao Liang, a professor of folk music, Professor Liu Yunyan of the Department of Music and two graduate students of Professor Hu Tianhong, And the author of this paper went to Taiwan for the International Symposium on “Fusion and Inspiration: A Multidimensional Perspective of Musicology” organized by the institute. Taiwan University of the Arts has given such an explanation as to the topic of “Integration and Inspiration: A Multi-Perspective of Musicology”: The so-called “Chinese music” has gradually gained new