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无论古今,在书画界都普遍存在着由于某一方面的突出成就而掩盖画家或书家其他方面才能的情况:黄宾虹的花鸟画和篆刻掩盖于山水画,潘天寿的山水画和美术史论研究掩盖于花鸟画,傅抱石的篆刻和美术史研究掩盖于山水画,伊秉绶的行书掩盖于篆书,金农的诗文造诣掩盖于花鸟画,启功的山水画掩盖于书法,陈介祺的书法掩盖于金石造诣……这种情况
In ancient and modern times, there is a general situation in the painting and calligraphy circles that masks the artist or other aspects of the book because of outstanding achievements in one area: Huang Binhong’s paintings of flowers and birds and carving are covered in landscape paintings; the study of Pan Tianshou’s landscape painting and history of art is covered in Flowers and birds paintings, Fu bao shih carving and art history research cover up in landscape painting, Yapingshou’s line of writing cover in the seal scriptures, Jinnong’s poetry skills covered in flowers and birds painting, Qigong landscape cover up in calligraphy, Chen Jiqi’s calligraphy cover up the stone attainments ... this situation