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导演新片《陌生的朋友》的许雷同志,是我们北京电影学院1963届导演系的毕业生,这是他第一部独立导演的影片,所以我是怀着忐忑不安的心情去看这部影片的。但看后很愉快,因为这是一部成功的影片,在导演技巧方面有不少独到之处。《陌》片的结构形式并不新鲜,几个不同职业、不同性格的人物在旅途上共乘一辆车或一条船,然后在他们之间展开一个故事。类似情况,以小说来说,有莫泊桑的《羊脂球》;以电影来说,美国有《飞渡关山》。我国有《巴山夜雨》。《飞》片的故事围绕着一辆向美国西部进发的驿车;《巴》片的故事则发生在一条长江航轮的一间船舱中;《陌》片则展开在一列开往福州的旅客列车上。那么,这部影片还有什么独到之处呢?有的。首先,它表现在场景转换上。《陌》片虽然在结构上也采用了某些影片所采用过的所谓“时空交错式”,将故事的“现在式”和“过去式”大幅度相互交错,
Comrade Xu Lei, the director’s new film, “Strange Friends,” is a graduate of the 1963 directorial department of our Beijing Film Academy. This is his first independent director’s film, so I went to see this film with uneasy feelings . But after watching very happy, because it is a successful film, director skills have many unique features. The structure of “street” is not new. Several people of different professions and different characters share a car or a boat on the road and start a story between them. In a similar situation, in the novel, there is “suet ball” by Maupassant; in movies, the United States has “Feidu Guan Mountain.” My country has “Bashan rainy night.” The story of “flying” film revolves around a station-bound car traveling to the west of the United States. The story of “Ba” film takes place in a cabin of a Yangtze River cruise ship. “Street” film unfolds on a train to Fuzhou On the train So, what is unique about this movie? First, it manifests itself in scene transitions. “Street” although the film also adopted some of the films used in the so-called “space-time interlace”, the story of the “present” and “past” a substantial intertwined,