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美感理论是现代美学的中心问题,它一方面来自洛克经验主义认识论中的心理学,另一方面来自夏夫兹博里的美学。洛克的认识论使美学从形而上学转向心理学层面,但这种认识论本身却不具有审美内涵,因此,18世纪的英国美学家根据夏夫兹博里的美学观念对洛克的认识论进行了改造,从而形成了美感理论。哈奇生和艾迪生分别用“内在感”和“想象”来指美感,并论述了美感的本质特征,即非功利性和直觉性。美感理论的形成标志着现代美学的建立。
Aesthetic theory is the central issue of modern aesthetics. It comes from psychology in Lockean epistemology epistemology on the one hand, and Shaftesbury’s aesthetics on the other hand. Locke’s epistemology shifted aesthetics from metaphysics to psychology. However, this epistemology does not have the aesthetic connotation in itself. Therefore, the British esthetician of the 18th century transformed Lockean’s epistemology according to Shaftesbury’s aesthetics and thus formed Aesthetic theory. Hachisheng and Addison used “inner feeling” and “imagination” respectively to refer to aesthetics, and discussed the essential characteristics of aesthetics, namely, non-utilitarian and intuitive. The formation of aesthetic theory marks the establishment of modern aesthetics.