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1961年6月至7月,中宣部召开的全国文艺工作座谈会和文化部召开的全国故事片创作会议相继在北京新侨饭店举行。周总理亲临会场,严肃批评了文艺工作中流行的“套框子、抓辫子、挖根子、戴帽子、打棍子”的“五子登科”风气,带来了宽松的文艺政策和艺术民主风气,电影创作人员个个跃跃欲试,中国电影稍做喘息后,进入新一轮创作高峰。谢铁骊尽管已独立执导了《无名岛》和《暴风骤雨》,但那些都是奉命之作。这次,他要拍一部自己喜欢的电影——《早春二月》。也就在这段时间,电影界有了“南谢(晋)北谢(铁骊)”的说法。
From June to July 1961, the National Literary and Art Work Symposium held by the Central Propaganda Department and the National Feature Film Creation Meeting convened by the Ministry of Culture were successively held in Beijing Xin Qiao Hotel. Premier Zhou went to the venue seriously and severely criticized the popular “Five-Going Boarding” culture of “popularizing flimsies, grasping braids, digging roots, wearing hats and sticking sticks” in literary and art work, bringing with them loose literary and art policies and artistic democratic norms and cinematic creations Everyone is eager to try, Chinese film a little breathing, into a new round of creative peak. Although Xie Tieli has independently directed “Anonymous Island” and “Stormy Days,” those are all orders made. This time, he wanted to make a movie of his own - “Early Spring February.” It is also during this time, the film industry has a “South Xie (Jin) North Xie (Tie Li)” argument.