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文章以约瑟夫·艾尔伯斯的玻璃设计为研究对象,对其艺术风格的发展变化进行了梳理。从表现主义风格到网格图案,再到风格派的影响,直到形成“温度计风格”以及对二维和三维空间转换的探索,艾尔伯斯在玻璃艺术上的探索从未停止,玻璃设计于他而言更多的是艺术上的表达而非实用性的考量。
Taking the glass design of Joseph Albers as the research object, this essay sorts out the development of its artistic style. From the expressionist style to the grid pattern to the genre’s influence until the formation of the “thermometer style” and the exploration of the two-dimensional and three-dimensional transformations, Albertus’s exploration of glass art has never ceased, and glass Design for him is more artistic expression than practical considerations.