宋代以后,格物之学兴起,影响了花卉画的全面兴盛。花卉画的主流为皇家画院画家,以工笔写生为应物赋彩之能事。而同时,自苏东坡等提倡文人画以来,文人画家往往喜写枯木竹石与梅兰竹菊,其以水墨写意而寄托胸中之逸气。文徵明大有花竹之好,自家停云馆之前后,有竹、有梅、有兰、有菊,吟咏之不足,则形之于绘画,凡工笔、没骨、写意、双钩,皆各擅场。 After the Song Dynasty, the rise of the study of the treasures, affecting the full flourishing flower paintings. The mainstream of floral painting for the Royal Academy painter, pencils for the painting should be given Cai Cai of things. At the same time, since Su Dongpo advocated the literati painting, the literati artists often like to write the dead wood bamboo and plum blue bamboo chrysanthemum. Wenzheng Ming flowers and bamboo are good, before and after their home cloud Museum, bamboo, a plum, a blue, a chrysanthemum, chanting the lack of, then the shape of the painting, where the meticulous, no bone, freehand, double hook, are Good at all.