在评论家的笔下,论及加拿大文学,是近些年才较为普遍的事。凭心而论,这倒不是专门家的疏忽,而是作为具有独立的、成熟的民族国家意义的文学,加拿大文学确实年轻。而在这后来崛起的民族文学中,作为表演艺术的戏剧,就更是大器晚成。本世纪七十年代形成的法语魁北克“介入剧”,便是第一个引人瞩目的加拿大戏剧流派。在使用双语(英语与法语)制的加拿大,法语文学的产生早于英语文学,魁北京文学则是法语文学的主体。四十年代末,城市 In the writings of critics, discussing Canadian literature is more common in recent years. In all fairness, this is not negligence on the part of specialists, but rather as a literary independent and mature nation-state, and Canadian literature is indeed young. In this later rise of the national literature, drama as a performing arts, even more late bloomers. The formation of French sect in the seventies of this century, “intervention drama”, is the first dramatic school of Canadian drama. In Canada using bilingual (English and French) systems, French literature emerged earlier than English literature and Quebec literature was the mainstay of French literature. The late forties, the city