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就世人皆知的王昭君这一历史题材,拍成十集电视连续剧似乎短了。然而,瞧着《王昭君》,总觉有拖沓、冗长之感,看完全剧,更感编导有种种遗憾。首先是故事单薄。香港电视连续剧《霍元甲》、《上海滩》之所以成功,其中故事情节层层叠宕,一环扣一环,一个“事件”未平,另一个“冲突”又至,使剧情一浪高似一浪,紧紧抓住观众的心。而《王昭君》尤其在这点上显得不足,往往是一个“故事”讲完了,讲淡了,才会有另一个“故事”出台;环节极不紧凑。再看三十集电视连续剧《末代皇帝》,每集的内容似乎也不多,编导除用字幕和旁白交代年代及历史事件外,多是抓住溥仪生活的片断细腻描写,让
On the world famous Wang Zhaojun this historical theme, made into ten episodes of TV series seems to be short. However, looking at “Wang Zhaojun”, I always feel procrasttive, lengthy feeling, watching the whole drama, but also made sense of all kinds of regret. The first is the thin story. The success of Hong Kong TV series “Huo Yuan Jia” and “Shanghai Beach”, in which the plot of the story is repeated layers and layers, one event is not flat and the other is “conflict” Like a wave, firmly grasp the audience’s heart. In particular, “Wang Zhaojun” appears to be inadequate at this point. It is often the case that one “story” is finished and another one is told, only another “story” is introduced; the link is extremely tight. Look at the thirty episodes of the TV series “The Last Emperor”, the content of each episode seems to be small, except with subtitles and narration narration chronology and historical events, mostly seize the delicate life of Pu Yi description, let