《地方戏艺术》1987年第一期登载朱华固的《名演员群——振兴戏曲的坚实基础》。文中说,在一片“戏曲危机”声中,出现“裴艳玲”热,出现“任根心热”。这是为什么呢?剧目虽是重要的,这无可非议。但它们的成功在于有出类拔萃的演员。戏曲艺术任何一个方面的改革都离不开演员队伍这个坚实的基础,戏曲的兴衰很大程度上是演员人才的兴衰。一个剧团要有名演员才有艺术生机,一个剧种要有一个名演员群才能产生艺术的爆发力,形成庞大的基本观众群。因此,经常保持一个具有“生态平衡”的名演员群,是戏曲永葆青春的标志。戏曲艺术说到底就是以 “Local opera art” 1987 first issue published Zhu Hua solid “actor group - to revitalize the solid foundation of opera.” The article said that in a “drama crisis” sound, there “Pei Yanling” fever, there “Ren Genxin fever.” This is why? Repertoire is important, it is beyond reproach. But their success lies in outstanding actors. The reform of any one aspect of opera art can not be separated from the solid foundation of the actors’ team. The rise and fall of the opera is largely the rise and fall of the actors and actresses. A theatrical troupe must have a famous actor to have artistic vitality. A drama must have an entertainer group to produce the explosive power of art and form a large basic audience group. Therefore, often maintaining an “ecologically balanced” actor group is a symbol of the eternal youth of the opera. In the final analysis is opera art