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听到“Dear Darkness”时,如往常一样拉扯并且战栗的女声却分明地陌生起来。许多期待着她的人都能顿时明白,这是一个新的PJ Harvey。她冷得像冰凉潮湿的雨季,而她的音乐给人的药效.开始倾向于一种致命和快速。中庸点讲,这样镇静冷漠的PJ Harvey,可以持续更久。新专辑《White Chalk》照样是被闹得沸沸腾腾,可是第一眼看见封面那个宛若宫廷女子沉静漠然地静坐在黑暗中央的白色PJ时,那些喧嚣的激动应该都要渐渐消失。待它们都褪去之后,只剩下独立的耳朵们,才适合去静静地听她那些令人恐惧或者深省的声音,在大脑里缓缓发酵成我们各自期待的气味。
When I heard “Dear Darkness”, the female voice that was pulled as usual and shuddered was strangely unfamiliar. Many looking forward to her people can immediately understand that this is a new PJ Harvey. She was as cold and wet as the rainy season, and the effect of her music gave it a start and tended to be fatal and quick. To be sure, PJ Harvey, calm and indifferent, can last longer. The new album “White Chalk” is still being so boiled, but at first glance the cover just as if the court woman indifferently sitting in the darkness of the central white PJ, those noisy excitement should gradually disappear. After they have faded away, leaving only the ears of their own is suitable for quietly listening to her frightening or thought-provoking voices, slowly fermenting in our brains into the scents we all expect.