沈周作为明中叶开宗立派的重要画家,对其画外空间诗书印的研究,有利于我们更全面地理解沈周画作蕴藏的思想和意趣。诗歌、书法、印章作为独立的艺术形式,有其自身的创作载体和艺术规律,沈周将其统一于画作之间,彼此相得益彰,自然和顺。诗的浓郁苍老、画的酣畅蕴蓄、书的遒劲奇绝、印的浑穆端庄,汇集在沈周笔下从容不迫地描绘着诗人高尚的心怀、画家淋漓的情愫、书家古拙的品格、印家悠游的灵魄,诸多矛盾在笔墨碰撞中相释,终成氤氲着勃勃文人气息的天成之作。 Shen Zhou, an important painter of the Kai-faction camp in the middle of the Ming dynasty, is able to understand more fully the thoughts and interests contained in Shen Zhou’s painting. As an independent art form, poetry, calligraphy and seal have their own creative carriers and artistic rules. Shen Zhou unifies them between the paintings and complements each other perfectly and naturally. Poetry is rich and old, the heart of the painting is rich, the book is absolutely amazing, imprinted muddy and dignified, poignant and poignant in the collection of poems in the poem, depicting the poet’s noble heart, painter dripping emotion, ancient book writer character, Spirit soul, many contradictions in the collision of the phase-release, eventually became a poignant writer of Tiancheng.