复调是莫言常用的叙事策略,本文以其长篇小说《蛙》为例进行探讨。五封书信加一部话剧的特殊文体内蕴了三个平行的故事序列,形成叙述上的“多声部”;“计划生育”为主题的故事中人物身份的历时性变化及其人物关系的共时性发展在不断交锋中“对话”;渗透在文本中的罪感、忏悔、赎罪意识互相参照、彼此呼应,也构成一种潜在的复调关系,叙事上呈现对话的三重奏。 Polyphony is a commonly used narrative strategy of Mo Yan. This article uses the novel Frog as an example. The special stylistic features of five epistles and one drama contain three parallel sequences of stories, which form diachronic changes in the identity of the characters in the narrative “polyphony” and “family planning” The development of synchronicity in their relations of characters is constantly confronted with “dialogue”; the sense of guilt, repentance and atonement infiltrated in the text are mutually referenced and echo each other, which also constitutes a potential polyphonic relationship and dialogue in narration Trio.