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从党的十一届三中全会召开到今天的社会主义建设新时期,已经走过30年了。自“五四”运动以来,中国新文化运动历尽坎坷,走过了近百年的历史进程。改革开放30年,是新中国文化艺术空前繁荣的时期。国粹京剧的创编同其他艺术门类一样,也走过了继承优良传统,不断创新的30年,结出了累累硕果。然而,新世纪以来,从舞台、银幕、荧屏、网络的演出和播放的京剧节目来看,还没有充分体现新时期京剧创编的丰收景象。以荧屏转播的京剧节目为例,绝大部分为改革开放前创编的,
It has been 30 years since the Third Plenary Session of the 11th CPC Central Committee has been held to today’s new stage of socialist construction. Since the “May 4th Movement”, China’s new cultural movement has experienced ups and downs and has gone through nearly a hundred years of historical progress. 30 years of reform and opening up is a period of unprecedented prosperity of the culture and art of new China. Like most other art genres, the creation of the quintessence of Peking Opera has also passed through the 30 years of inheriting fine traditions and innovations and has produced a great deal of fruits. However, in the new century, from the stage, screen, screen, network performance and broadcast of Beijing Opera program, it has not yet fully reflected the bumper harvest of the Beijing opera in the new era. Beijing TV shows broadcast programs as an example, the vast majority of the pre-reform and opening up,